Semiotics of the Loafer
As if to confirm and elaborate my point on Laura and formalized dress, Frost/Nixon has a key distinction between the loafer and the lace-up oxford. Yet this time, the narration must foreground the distinction self-consciously, both through the visuals (close-ups) and through exposition in the dialogue. The shock of breaking with the oxford has to be explained for the contemporary spectator as thoroughly as the film gives a schematic history of Watergate.
Comments
But then who reads John O'Hara these days.