Sometimes a reframing…
2 days ago
Do I Sound Gay? is another link in an increasingly tiresome chain of navel-gazing think pieces posing as personal documentary.... Thorpe's approach is less historical or experimental than staid and solipsistic, as his own biography, which includes growing up in South Carolina and not acknowledging his own homosexuality until reaching college, is dutifully presented as a series of facts and tidbits which are meant to substantiate the film's interest in cultural norms regarding homosexual behavior and self-acceptance.
In Abkhazia, an unrecognized “country” in Russia’s Caucasus, patriotism runs rather deep. In this Black Sea black comedy, its self-appointed sports minister must choose between his foreign wife and a bizarre tournament that will surely put them on the map.
Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart.
Feri, for example, is an incurable romantic. Way past his 80th year, he’s still making moves on the village’s 25 widows – although he claims that only two or three of them are really worth the effort. And the women speak plainly when sharing their most intimate thoughts and dreams to the camera.
Stream of Love is funny, surprising and heartwarming, revealing how these tragicomic tales prove the ancient game of love and romance is still being played in this remote village, with its aura of bygone days.There are elements of this, but two layers of pathos challenge the feel-good ethos. First, the characters are responding to the twin changes of feminism and the sexual revolution, which if not exactly fully foregrounded in village life nonetheless have raised the consciousness of women that patriarchal culture never maximized their sexual needs – and led the men to feel a sense of historical loss of traditional sexual norms. Second, the women in particular feel that just as they come into sexual consciousness, the opportunities for expressing it have been denied by their age.
“Soul Food Stories” is a 70 minutes long observational documentary that tells of a place where practices of food and the rituals around the table have not been changed in the last centuries. The film consist of a series of vignettes, each one telling different story. The protagonists Djamal and his wife Aishe are Pomacs (a Slavic Muslim population native to some parts of Bulgaria). Their parents and grand parents have been always living from the land. They produce everything - from the cigarettes they smoke and the clothes they are wearing to the milk and cheese on the table. During the Communist regime, Djamal and Aishe had to change their names, the way they dress and speak as part of the state-supported assimilation campaign in 1989. Djamal and Aishe’s children represent another part of the story – they immigrated to the USA in a search for better life and more opportunities and thus they lost connection with their nuclear family and their traditions – part of which is the food. “Soul Food Stories” seeks to explore not only why the food bring us together, but the many ways it could enrich our lives. At the same time it touches upon themes such as religion, the past and the reconciliation with it, the family and the kids, etc. Or as the director Tonislav Hristov puts it - “Soul Food isn’t a film about the food itself. Soul food is the ritual of getting together around the table when each one of your friends brings his own spice in the sense of experiencing each other."The main issues are there, and the main thematic use of food preparation, too. However, rather than the redemptive narrative of "food overcomes social divisions," the film has a more open tapestry of the social conflicts of rural Bulgaria. The villagers represent certain aspects of social divides marking contemporary Bulgaria: women/men, Orthodox/Muslim/Roma-Evangelical, Communist/reformist, older/younger, and while the people do voice a sense of shared community never do they put aside differences. (It is hard to tell how much of the discussion is provoked by director Hristov, but especially in this case I'm not sure that makes much difference.)