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Showing posts from January, 2015

CFP: Romanian New Wave edited volume

CALL FOR PAPERS
Readings of the Romanian New Wave 
(edited anthology)

Proposal Deadline: April 30, 2015


When the Cannes Film Festival’s highest prize, the Palme d’Or, was awarded to 4 Months, 3 Weeks, and 2 Days in 2007, this marked the most prominent success of the internationally acclaimed Romanian New Wave. A number of other films received recognition at international film festivals both in the first and second decade of the 2000s, among them The Death of Mr. Lăzărescu (Puiu, 2005), Police, Adjective (Porumboiu, 2009), Aurora (Puiu, 2010), Child’s Pose (Netzer, 2013), and The Japanese Dog (Jurgiu, 2013). New York City’s “Making Waves”—a five day festival devoted to new Romanian films—is slated for its tenth iteration in 2015 and has been covered at length and with copious praise by The New York Times.  For a country of 21 million, this represents a surprising degree of cinematic success, attracting both critical and scholarly attention within Romania and abroad.


We are seeking origi…

Voices in Contemporary Documentary project

I've kept up this blog with announcements and occasional methodological reflections, but now seems like a good time to revisit the film-based research blogging I’ve done with the 1947 Project and get back to writing more regularly here. I’m not abandoning the 1947 viewing but I’m taking a break from it as I transition into a new research project on documentary. 
So I’ll be starting my Voices in Contemporary Documentary project. The idea is to feature short posts, roughly a new one each week, on a different recent documentary or nonfiction work. It may be major documentary releases, but I am hoping to highlight harder-to-see work from festivals or galleries. Some of this may not be readily available, but I will try to provide video or streaming sources where possible.
In the process, this blogging project gives me an chance to see what is going on in documentary today, without starting from an overly prescriptive aesthetic (though clearly I have certain tastes) or from either popu…